第61节
took another deep breath and lay there for a good ninute, ears
cocked, straining to catch the slightest sound of movement. All he
could hear was his own heartbeat.
Reaching forward, Steve carefully pulled out one of the branches that
had been stuck in the ground. The end had been cut at an angle by a
machete. Pushing it gently aside, he peered through. A Mute hut stood
in a small clearing enclosed by a circular screen of leaves. The
doorway to the hut faced a gap in the screen on the opposite side to
where Steve lay, making it impossible to see if the hut was occupied.
There was no sign of smoke coming from the ring plate in the roof and
none of the usual living debris scattered around. Even so, Steve's
sixth sense told him that someone was inside. Wait a minute! He could
hear something. Was that somebody, humming a - tune? She was there!
It had to be her. There was no one else it could be.
With rising excitement, Steve crawled round through the ferns towards
the gap in the surrounding screen and stopped a yard from the
opening.
Moving with the stealth of a praying mantis, he eased another cut
branch out of the ground and gingerly poked his head and shoulders in
under a curtain of withered leaves. Steve found himself confronted not
by the hoped-for view of matchless beauty, but by the decomposing heads
of Naylor and Fazetti spiked on poles on either side of the doorway. A
large, dark bird of prey was perched on Fazetti's head, tearing a
sinewy strand of flesh out of one of the gaping eye-sockets. Steve
recoiled in horror. The bird, startled by the sudden movement,
flapped
away with a harsh cry of alarm.
Steve swallowed hard and collected his thoughts.
According to Mute tradition, the heads of his fellow-wingmen were the
battle trophies of whoever occupied the hut. But didn't Fazetti go
bananas in mid-air? How could she, if indeed it was she who... ?
Another more pressing thought struck Steve. If whoever owned the hut
had downed the two wingmen maybe they had taken more than their
heads.
Maybe some of their gear was inside. Like a map, air pistol, flame
grenade, con-food pack. Useful things that someone planning to escape
would need. Nerving himself to face his two spiked friends, Steve
pushed his head back through the curtain of leaves. As he did so, the
flap over the doorway, framed by the two headpoles, was pushed aside
and the owner of the face that had haunted his dreams emerged, stood
up, and stretched with the grace of a waking cat.
It was Clearwater. Steve, of course, did not yet know her name but, in
the few seconds that she stood there in full view, Steve's eyes roved
over every detail of her naked body; the long, straight-boned, supple
limbs, the slim-hipped torso with its firm, rounded breasts, strong
shoulders and small waist, the smooth skin free of the disfiguring
tree-bark patches and the tumour-like bone growths that afflicted other
Mutes; her whole body unflawed - apart from the swirling pattern of
pigments - from head to toe. Since art, in the generally accepted
sense of the word, did not exist within the Federation, Trackers were
not overly susceptible to its attendant qualities such as the harmony
of form and colour, the gracefulness of line and proportion. But
something deep within Steve responded; made him aware that the Mute
female in front of him was-an object of great beauty even though he
could not express himself in those words. He was seized simultaneously
by two totally conflicting emotions; an irrational desire to possess
her and a sense of shock, disgust even, at feeling thus. In 20th
century terms, his reaction was akin to a founder member of the
ultra-right wing Afrikaaner Broederbond - that bastion of white
supremacy - discovering within himself a secret prediliction for 'dark
meat'. What passed through Steve's mind in those few seconds was
unthinkable. Allowing Night-Fever to serve as a bed-warmer was bad
enough but to actively contemplate ... Come on! he urged himself.